RAT-S CAFE

Davros · Posted: Tue May 03, 2011 7:31 am Post subject: ON THIS DAY - MAY 4TH

4th May: Dick Dale - "The King of the Surf Guitar"

Dick Dale (born Richard Anthony Mansour on May 4, 1937, in Quincy, Massachusetts)
is a pioneer of surf rock and one of the most influential guitarists
of the early 1960s.
His technique influenced future guitarists such as Jimi Hendrix and Eddie Van Halen.
He experimented with reverb and made use of custom made Fender amplifiers.
He was born to a Lebanese father and a Polish mother, and soon learned
to play the drums, the ukulele, and finally the guitar.
Among his early musical influences was his uncle,
an oud player performing belly dance music.

'Surfie' or not - the Guy is a legend.

http://www.youtube.com/watch?v=ZIU0RMV_II8

http://www.dailymotion.com/video/x1mrxl_dick-dale-surfing-miserlou-1962_music
_________________
Cheersh,
Davros (Dave)
2009 T100 - "Rosie"
_________________
‹(•¿•)›"DINSDALE"

bong60 · Posted: Thu May 05, 2011 11:31 pm Post subject:

Loved his stuff, remember from my childhood, I think I go get a copy of their best to add to my collection,

Think surf rock classics and a few songs come to mind. The Surfari’s Wipeout, Dick Dale’s Miserlou, Pipeline by the Chantays and of course Bombora, by Australia’s own, Atlantics. Virtually the only successful surf instrumental band not from America.

Echoing the Shadow’s Twangy Atmospheric Instrumental Sound, they were snapped up by CBS Records and became a household name with the release of their giant hit Bombora in 1963.

Now, nearly 40 years later, The Atlantics are once again recapturing the sound that had propelled them to fame so many years before. Read more.

New gig: Coogee Diggers
The Atlantics return to Coogee - "their home surf" with "Collectibles" - their latest album. More info

New gig: The Vault, Windsor
Surf comes to turf. The Atlantics come to Windsor with "Collectibles" - their latest album. More info

New CD Available
Check out the new Atlantics CD "Collectibles". Available now from the shop.
new Atlantics DVD "Live at Freshwater". Available now from the shop.

http://youtu.be/caDKxgQhd1M
_________________
Journey in Life, is not to arrive at the grave safely in a well preserved body, but rather to skid in sideways, totally worn out, shouting '..holy sh*t ....what a ride!'
"look out for corners" Embarassed

Bongo (Terry)

bong60 · Posted: Thu May 05, 2011 11:33 pm Post subject:

Dick Dale wasn't nicknamed "King of the Surf Guitar" for nothing: he pretty much invented the style single-handedly, and no matter who copied or expanded upon his blueprint, he remained the fieriest, most technically gifted musician the genre ever produced. Dale's pioneering use of Middle Eastern and Eastern European melodies (learned organically through his familial heritage) was among the first in any genre of American popular music, and predated the teaching of such "exotic" scales in guitar-shredder academies by two decades. The breakneck speed of his single-note staccato picking technique was unrivalled until it entered the repertoires of metal virtuosos like Eddie Van Halen, and his wild showmanship made an enormous impression on the young Jimi Hendrix. But those aren't the only reasons Dale was once called the father of heavy metal. Working closely with the Fender company, Dale continually pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing the thick, clearly defined tones he heard in his head, at the previously undreamed-of volumes he demanded. He also pioneered the use of portable reverb effects, creating a signature sonic texture for surf instrumentals. And, if all that weren't enough, Dale managed to redefine his instrument while essentially playing it upside-down and backwards -- he switched sides in order to play left-handed, but without re-stringing it (as Hendrix later did).

Dick Dale was born Richard Monsour in Boston in 1937; his father was Lebanese, his mother Polish. As a child, he was exposed to folk music from both cultures, which had an impact on his sense of melody and the ways string instruments could be picked. He also heard lots of big band swing, and found his first musical hero in drummer Gene Krupa, who later wound up influencing a percussive approach to guitar so intense that Dale regularly broke the heaviest-gauge strings available and ground his picks down to nothing several times in the same song. He taught himself to play country songs on the ukulele, and soon graduated to guitar, where he was also self-taught. His father encouraged him and offered career guidance, and in 1954, the family moved to Southern California. At the suggestion of a country DJ, Monsour adopted the stage name Dick Dale, and began performing in local talent shows, where his budding interest in rockabilly made him a popular act. He recorded a demo song, "Ooh-Whee Marie," for the local Del-Fi label, which was later released as a single on his father's new Del-Tone imprint and distributed locally. During the late '50s, Dale also became an avid surfer, and soon set about finding ways to mimic the surging sounds and feelings of the sport and the ocean on his guitar. He quickly developed a highly distinctive instrumental sound, and found an enthusiastic, ready-made audience in his surfer friends. Dale began playing regular gigs at the Rendezvous Ballroom, a once-defunct concert venue near Newport Beach, with his backing band the Del-Tones; as word spread and gigs at other local halls followed, Dale became a wildly popular attraction, drawing 1,000s of fans to every performance. In September 1961, Del-Tone released Dale's single "Let's Go Trippin'," which is generally acknowledged to be the very first recorded surf instrumental.

"Let's Go Trippin'" was a huge local hit, and even charted nationally. Dale released a few more local singles, including "Jungle Fever," "Miserlou," and "Surf Beat," and in 1962 issued his (and surf music's) first album, the groundbreaking Surfer's Choice, on Del-Tone. Surfer's Choice sold like hotcakes around Southern California, which earned Dale a contract with Capitol Records and national distribution for Surfer's Choice. Dale was featured in Life magazine in 1963, which led to appearances on The Ed Sullivan Show and the Frankie/Annette film Beach Party; he also released the follow-up LP King of the Surf Guitar, and went on to issue three more albums on Capitol through 1965. During that time, he developed a close working relationship with Leo Fender, who kept engineering bigger and better sound systems in response to Dale's appetite for louder, more maniacally energetic live performances.

Surf music became a national fad, with groups like the Beach Boys and Jan & Dean offering a vocal variant to complement the wave of instrumental groups, all of which were indebted in some way to Dale. But in 1964, the British Invasion stole much of surf's thunder, and Dale was dropped by Capitol in 1965. He remained a wildly popular local act, but in 1966, he was diagnosed with rectal cancer, which forced him to temporarily retire from music. He beat the disease, however, and soon began pursuing other interests: owning and caring for a variety of endangered animals, studying martial arts, designing his parents' dream house, and learning to pilot planes. In 1979, a puncture wound suffered while surfing off Newport Beach led to a pollution-related infection that nearly cost him his leg; Dale soon added environmental activist to his resumé. In addition to all of that, Dale performed occasionally around Southern California throughout the '70s and '80s.

In 1986, Dale attempted to mount a comeback. He first recorded a benefit single for the UC-Irvine Medical Center's burn unit (which had helped him recuperate from potentially serious injuries), and the following year appeared in the beach-movie sendup Back to the Beach. The soundtrack featured a duet between Dale and Stevie Ray Vaughan on the Chantays' surf staple "Pipeline," which was nominated for a Grammy for Best Rock Instrumental. In 1991, Dale did a guest spot on an album by the San Francisco-based Psychefunkapus, and a successful Bay Area gig got him signed with Hightone Records. The album Tribal Thunder was released in 1993, but Dale's comeback didn't get into full swing until, in 1994, "Miserlou" was chosen as the opening theme to Quentin Tarantino's blockbuster film Pulp Fiction. "Miserlou" became synonymous with Pulp Fiction's ultra-hip sense of style, and was soon licensed in countless commercials (as were several other Dale tracks). As a result, Tribal Thunder and its 1994 follow-up Unknown Territory attracted lots of attention, earning positive reviews and surprisingly strong sales. In 1996, he supported the Beggars Banquet album Calling Up Spirits by joining the normally punk- and ska-oriented Warped Tour. Adding his wife and young drum-playing son to his band, Dale refocused on touring over the next few years. He finally returned with a new CD in 2001, Spacial Disorientation, issued on the small Sin-Drome label. ~ Steve Huey, Rovi
_________________
Journey in Life, is not to arrive at the grave safely in a well preserved body, but rather to skid in sideways, totally worn out, shouting '..holy sh*t ....what a ride!'
"look out for corners" Embarassed

Bongo (Terry)

bong60 · Posted: Thu May 05, 2011 11:36 pm Post subject:

something a little different

http://youtu.be/8RmfRWaVDUI

http://youtu.be/m6M6kd8cmpI
_________________
Journey in Life, is not to arrive at the grave safely in a well preserved body, but rather to skid in sideways, totally worn out, shouting '..holy sh*t ....what a ride!'
"look out for corners" Embarassed

Bongo (Terry)

Davros · Posted: Fri May 06, 2011 5:27 am Post subject: Gottm, gettin em

Bong60,
I have all those you mention plus many more.
Look up Link Wray too.

Will be ordering the new Atlantics album soon.

Hope to catch a live gig if possible.
Thanks for the links - will watch tonight.
_________________
Cheersh,
Davros (Dave)
2009 T100 - "Rosie"
_________________
‹(•¿•)›"DINSDALE"